I’m on PhotoLab4 / Filmpack5 Elite versions and you might miss some extra global settings, while the Local adjustments should all be present. I used it here in the mode ‘Spot Weighted’. ‘Workspace’ > ‘Standard / Advanced mode’ to compare the different states. But as they ‘disappear’ from this view, when you deactivate them, switch off ‘Active corrections’ and look for the setting you are interested in Now you get a quick and complete overview of the settings. Which then only shows the active (used) settings.
I chose virtual copy (2) to compare it with virtual copy (1)Īt the top right of the screen you find the switch ‘Active correctons’,
To compare the two versions, check here … PL4 will then show you the raw-file and 2 virtual copies. I exported your raw-file from DxO PL4 as DNG with denoise & optical corrections only and opened it in PL4 – very easy to correct globally and locally, and also to ‘restore’ some atmosphere of this heavily underexposed pic … well then, I’m familiar with PL.Īt last, I opened your raw-file in PL4 … just the same as before.Ĭerro Pelon, guide_sRGB_DxO_2 3840×2560 1.7 MBĬopy your raw-file and the dop-sidecar-file Cerro Pelon, (286,2 KB) into a new folder.
On1 photo raw mac torrent plus#
As lowering contrast & increasing shadows wasn’t sufficient, I changed the gradation curve plus added local adjustments to fix some highlights – well, it works. I exported your raw-file from DxO PL4 as DNG with denoise & optical corrections only and opened it in LR 5.7 64Bit. I’m no expert with all the details and you will know better anyway. I also experimented with the tone curve (in Effects) and with Local Adjustments (painting masks, brightening …), but stopped after a while. Instead I opened your raw-file in ON1 and applied the ‘Camera Standard’ profil + AI Auto, which seemed to give the best exposure in ON1. ( BTW, tried to use the settings from raw-file in ON1 – took note and had to choose them by hand, while AI Auto couldn’t be applied at all – also no success. The contrast seems to be to high to be reduced sufficiently, and bringing the shadows up I exported your raw-file from DxO PL4 as DNG with denoise & optical corrections only (same as PureRAW = no exposure manipulation) and opened it in ON1 2020.6 Now, I had several trials with your file … When I tried PhotoLab, it recognized them all (except the TC) and even some from my ‘entry’ to the digital world. I will upload it here, if you want to play around with it yourself in used ON1 since 2018, I upgraded twice – and stopped as I was still missing support for a couple of lenses. The only solution would be to convert the file to a TIF and then back to DNG (since Pure Raw doesn’t work with TIFs)Īll this is a pity, since Pure Raw does a much better job with colour noise, providing exposure is correct, than Topaz DeNoise AI. If I adjust exposure in On1, that change does not carry over. My understanding, from watching several YouTube videos, is that if you have DxO PL4, you can tweak exposure etc BEFORE denoising. The results are horrible, even with a lot of tweaking, such as reducing the contrast. That’s certainly NOT the case with On1, so if I have an underexposed image, like the one I posted above, I have to adjust exposure back in On1 after Pure Raw has worked its magic. I might have misunderstood the videos, but I got the impression that with LR some sort of metadata is sent over to Pure Raw, which means that, yes, you can do things like increase exposure etc.
0 kommentar(er)
